I’ve been increasingly drawn to deep pinks and pale blush shades in recent months. I love a vivid raspberry paired with classic navy, so much so I use the combination in my home office. Equally as appealing to me are shades of blush and pale rose partnered with gold, the two together are a chic and sophisticated match made in heaven.
So I was delighted when contributing writer Courtney Lake decided to tackle the topic this month in his most recent article. Please welcome back Courtney and his reflections on this often ignored color that deserves a second look.
“There is something delicious and whimsical about the color of pink yet frequently the hue is aligned with Barbie’s Dream House or romantic sunsets. There is a dichotomy to this color that can’t be ignored – it is what I think represents the best of design duality. Pink certainly has the ability to skew towards juvenile delight but also to uptown sophistication. It’s because of this dueling personality that I find it to be one of the most interesting, under-utilized, and least appreciated colors in a designer’s arsenal.
Pink is technically a tint of red – a red base that is then augmented with white, which gives unbelievable control to a designer to create the perfect intensity of color. So when a client states that he or she doesn’t like pink, I always ask them to point out what their concept of "pink" on my color wheel and without fail it either veers towards Bubble Gum or Hot Pink – both of which lean toward a younger audience.
It is only when I inform them that pink encompasses all the hues from pale pink to purple leaning magenta that they start to fully comprehend that pink can be a sense of depth, visual interest and calmness to a room that few colors can match. Keep in mind that pink plays well with other hues from blue to yellow to green, and gets along superbly with dramatic black.